Fighting the Isolation of Aging Through Play

Marian Rich • August 13, 2021

The Global Play Brigade Story Chain Project Connects Seniors with Brigadiers Around the World

Since the earliest days of the pandemic, when we were creating what is now the Global Play Brigade (GPB), we knew that we wanted to bring the transformational power of play into nursing homes and assisted living facilities around the world to address the isolation of our elders.


My father lived at
The Actors Fund Home in Englewood, New Jersey for five years until he passed away on August 22nd, 2020. During my visits, I fell in love with the facility and many of its residents. It’s a unique Assisted Living and Nursing Home, with a proud history of caring for a wide variety of professionals in performing arts and entertainment, including designers, writers, sound technicians, musicians, dancers, administrators, directors, film editors, stagehands, actors, and more. 


After months of crisis inside U.S. nursing homes — where COVID was rampant — I reached out to the activities staff and asked how the Global Play Brigade could support them with programming. I had already shared with them our
Ode to Frontline Workers video, which they were showing on screens around the facility.


Jon deAngelis, a dedicated and talented drama ther
apist and Activities Coordinator at The Actors Home, and I put our heads together. Inspired by the power of storytelling, we created a pilot project we call the Global Play Brigade Story Chain; an innovative way to lend support and provide a fun activity that connects resident story writers/storytellers with Global Play Brigadiers around the world.


We are creating a collective, ongoing, improvisational “story chain” by having residents write (dictate) the first sentence, paragraph, or paragraphs of a story. Then, The Actors Home’s recreation staff and Jon DeAngelis, with support from improviser and staff member Angela Dohrmann, email the stories to me, the Brigadier responsible for the pilot project. 


I then email the story to a Brigadier somewhere in the world, and they add a paragraph or more, and email it back to both me and Jon. The resident storyteller/originator continues the story, and it comes back to us, and so on, and so on. 


We hope that this pilot project will become a model that we can roll out to other nursing and assisted living facilities around the world in many languages. For now, all stories are in English and all the Brigadiers, irrespective of their first language, are writing in English.


We began with three resident story writers: Claire, Martha, and Pam. Of those three stories begun in June, two are completed, and new story writers have come on board since. The stories have traveled from the USA to the UK, Nigeria, Greece, Mexico, Turkey, New Zealand and Australia. We have eight active stories representing nine residents. Our latest story was written by a mother/daughter at The Actors Home and is being sent to a mother/daughter in India! We have 16 active Brigadier story writers.


“I am creating a story with someone who is far away and I do not feel any sense of age and aging in our stories. I am surprised by a sense of wonder and great freshness!” - Brigadier/Storyteller Claudita Fanni Fertino (Italy)


“I sat down with Claire this morning, and before we even looked at the story, she seemed resolved to find an ending…. I told her endings are often found at the story’s beginning so she agreed I should read her the story from the very beginning. When we came to Vic’s latest contribution, Claire’s face lit up and she began excitedly dictating to me her latest contribution.”  - Angela Dohrmann, Activities Staff, The Actors Fund Home


“The simple act of creating a narrative with someone living over 3000 miles away is both oddly touching and exciting. When you’ve never met the person that you’re improvising with, and yet you still feel such a strong connection and sense of fun, it’s like magic. I always look forward to seeing what direction Claire has taken our tale." - Brigadier/Improviser Vic Hogg (United Kingdom)


“I want to commend the entire Brigade for their outstanding commitment and effort in making these activities a unique, connecting experience for the participants. I am very impressed, excited and humbled by the interest and talent going into our residents’ wellbeing and happiness.”  - Jon DeAngelis, Activities Coordinator, The Actors Fund Home


“Meeting someone through creative play creates an instant connection. Through a shared story we get a glimpse of how someone imagines and plays and they get a glimpse of us. It is a warm feeling and I enjoy it immensely. There is something so sweet in Pam’s words. She wants people to have a nice happy time. I wonder if there is some memory mixed in here. Whatever story she wants, we shall find it together.” - Brigadier/Improviser Patti Stiles (Australia)


Pam's Story 

(Brigadiers’ additions in italics)


There was a little boy and girl. They were liking each other an awful lot, which was good.

 

Every Saturday, after they finished their chores, they would meet at their secret place by the river. Sometimes they would swim. Sometimes they would watch the clouds. Whatever they did they made each other laugh. They enjoyed each other’s company.

 

The boy and girl went back to their friends who were glad to see them. It was evening time. The boy and the girl and their friends went to walk in the sand. They had to come back for dinner at the girl’s house. Her mother was a good cook.

 

The boy and girl hugged all of their friends goodbye and went back home for dinner. Pattie, the girl’s mother, had prepared a Sunday roast that smelled like heaven and a sweet cherry pie for dessert. They ate, talked and laughed a lot, yet Pattie looked sad and wouldn’t tell them why. So, the girl and boy decided to take her to their secret place by the river and cheer her up.

 

They arrived at the secret place and had a swim. The swim was so good, they went back to find their brothers. The swim cheered Pattie up.

 

The brothers were at the house waiting for them. They had warmed the cherry pie and made fresh coffee. It was all on the front porch waiting for the boy, girl and Pattie to arrive. Everyone complimented Pattie’s cherry pie, she really was a good cook. Her pies had won many ribbons for being the best at the Country Fair. The girl went in the house and put a record on. “Remember this song?” she asked with a smile “Shall we dance?”


As we await Pam’s next installment, it is hitting me that the Global Play Brigade Story Chain — and all that we do — asks the question: Shall we dance?


By Global Play Brigade December 12, 2025
CHANGEMAKERS PLAYFEST 2025: Creating Power Through Play If there are two things that define Global Play Brigade, it’s this: First, we love to experiment. We breathe it, build with it, and follow through. GPB isn’t just curious; we are invested in the process and its lessons. Secondly, we love partnerships. Whenever we see an organization dreaming in the direction we dream, we run toward them joyfully, arms open, ready to build something bigger, wider, and wilder. These two parts of who we are collided beautifully at the Changemakers Playfest 2025. GPB featured on Day One of the Performing The World (PTW) 2025, titled: Meandering Through the Mess . It was a conference within a conference, a global playground nestled inside another. Woven into the PTW ecosystem, the energy was electric. GPB’s Executive Director, Rita Ezenwa-Okoro, opened the Changemakers Play Festival with words that set the tone. She spoke of faith and turning mess into message, how changemakers need to navigate complexities without succumbing to burnout, and how play offers a radical way to imagine new possibilities and create hope. Watch Rita’s speech here! One of the participants reflected: “Rita’s speech didn’t just inspire; it was tactile, lived, and actionable. Her words invited participants to sit with complexity without fear, to recognize that navigating mess isn’t chaos, it’s courage in motion.” One of the facilitators added: “Her remarks slowed everyone down, encouraging a collective meandering, turning abstract ideas into lived experience. The festival began not with instruction, but with invitation: to play, to explore, and to build together.” The Art of Connected Conversations playshop turned ordinary talk into bridges. Led by Cathy Salit (USA) and Kahlil Bagatsing (Philippines/USA), participants discovered that listening can be playful, bold, and transformative. “I never knew a conversation could feel like a bridge,” one participant reflected. Their conversations became a space for curiosity, care, and co-creation. Teamwork Makes the Dreamwork sparked laughter and delightful absurdity. Hikaru Hie (Japan), Yvette Alcott (Australia), and Toto Carandang (Philippines) invited participants into improvisational chaos. Everyone became experts at impossible tasks, discovering that teamwork thrives in trust, surprise, and shared play. Power Games in the Workplace / Los Juegos de Poder en Ambientes de Trabajo made invisible dynamics visible. Viviane Carrijo (Brazil), Jordan Hirsch (USA), and Carlos Gaviria (Colombia) guided participants through theater games exploring dominance, influence, and collaboration. One participant reflected, “I’ve been both the oppressor and the oppressed, and play can help us imagine new ways forward.” Power became something to explore, understand, and transform together. Connection and intimacy unfolded in unexpected ways. In one exercise, participants shared the (his)story of their names and responded to each other with curiosity and reflection. Strangers became collaborators within minutes. The festival showed that play isn’t just fun, it’s a strategy for building trust, creativity, and global community. Across continents and cultures, laughter, improvisation, and shared curiosity revealed our common humanity, while playful experimentation offered new ways to imagine, collaborate, and lead with care.
By Global Play Brigade December 12, 2025
HEART & POWER: Bringing the World Closer to Wellness In a world where over 1 billion people are living with mental-health disorders and only one in five get the help they need, Global Play Brigadiers converged this past August at our Heart and Power Playshop to explore the question: How can we bring the world closer to wellness through play? Our carefully curated playshops included: In Embodied Empathy , people didn’t just talk about feelings; they moved them. One participant described the moment they felt another person’s sadness through a simple hand gesture, saying, “It was like my body understood before my mind did.” Guided by Christopher Ellinger (USA) and Jacek Kulkuk (Poland), the Zoom room softened. People softened. Empathy became physical. In What Is Wellness? , a big shift happened. Someone said, “I always thought wellness was personal, but now I see it’s something we build together.” With Lambert Oigara (Kenya), Jeff Gordon (Israel), Jenn Bullock (USA), and Muneeb ur Rehman (Pakistan), wellness became communal, a shared construction site where everyone created new tools. Imagine watching someone’s story turn into choreography; a literal dance of lived experience. Led by Ruben Reyes (Spain), Zara Barryte (USA), Sally Oimbo (Kenya), and Prudence Omale (Nigeria), Story-o-graphy gave participants a chance to see their stories move through another person’s body. It wasn’t just creative. It was healing. Rainbows of Emotions gave us the full colour spectrum of human feelings, from joy to grief to curiosity to frustration. It finally made sense that emotions aren’t good or bad… they’re information, one participant reflected. Steered by Ishita Sanyal (India), Manisita Khastagir (India), Rick Horner (USA), and Medhavi Parmar (India), people painted emotional rainbows with movement, sound, and imagination. Heart & Power didn’t end when Zoom closed. It ignited a new awareness that wellness isn’t a luxury, but a shared responsibility. People walked away with softer hearts, deeper breaths, and a renewed sense of connection across borders, cultures, and personal histories. It reminded us that play can be a global mental-health intervention. It can be one that honours the emotional, cultural, spiritual, and embodied realities. To every participant who danced, moved, cried, laughed, breathed, and played with us, we say THANK YOU. To our brilliant Playcilitators, thank you for guiding the world with courage and creativity. To our hosts, Rita Ezenwa-Okoro (Nigeria), Charly Ford (USA), Murray Dabby (USA), and Medhavi Parmar (India), your presence set the tone on both days. And to our indispensable tech team, you made HEART AND POWER come to life! Click to listen to the insightful musings on Heart & Power by Rita, our Executive Director! Click here to read the collaborative poem created by Heart & Power participants!